Alter Ego colorist
teaches
4 PM Eastern Time.
This masterclass details Lily's go-to node structures for studio projects tailored to address complex workflows. Deep dive into high-demand VFX techniques that can be directly executed on the color page in Resolve—such as paint-outs, advanced sky replacements and day-for-night transformations, scene relighting and shading through shapework, fixing complex mismatched lighting and a lot more.
4 PM Eastern Time.
Lily Henry is a Toronto-based colorist at Alter Ego Post, with a career that spans feature films, episodic television, commercials, and music videos. She recently finished Furiosa: A Mad Max Saga, alongside Andrew Ross, James Graham, and supervising colorist Eric Whipp.
Lily began her journey at Company 3 as a color assistant, where she gained hands-on experience with feature films and built a solid foundation in advanced color workflows. She later joined Marvel Studios on their in-house team, contributing to a variety of high-profile episodic television projects.
Filmography
Fixed Node Structures and Workflow Setup
Lily's approach behind fixed node structures for commercial projects, and her foundational logic around each node. Learn how to setup node structures using a linear space to get perfect white balance with printer lights. Breakdown of different node structures designed to address distinct workflow complexities.
Paint-Outs
Paint Out is a VFX technique that removes or reconstructs unwanted elements from a scene. This class will teach you all about paint-outs, when is possible in the color suite, and when should it be passed on to VFX? Learn Paint-outs using 3 different methods within resolve: Node Sizing, Clone Stamping / Dust Bust tool, Existing Clean Plates.
Learn Paint-outs for advanced beauty work, Paint-outs using Photoshop’s Generative AI, Compositing paint-outs and developing efficient roundtrip workflows for clean plates.
Learn to add skies to increase visual interest, or matching multiple angles in a scene that was maybe shot at different times, on different days, or with different cameras.
Breakdown of different sky compositing methodologies. Tracking skies with a moving shot. Learn to create believable movements in a “static sky shot.”
Learn sky replacement integrations with grades for changing time of day. Day for sunset/sunrise. Day for night with sky integrations. Fixing a “boring” overcast day.
Add visual depth to scenes. Create light rakes, reflections, and shadows with shapework. Add shadows with pre-existing or self-made mattes.
Learn to add light to match angles with “strong mismatched lighting”— at times, scenes that were shot on different days or at different times, can result in varying beams of light interacting differently with characters in the foreground and background. We’ll cover how to match all these elements together for a seamless grade.
Watch the class trailer
Second Round of Invites
The second round of signup invites will be emailed to selected waitlist applicants on January 3, at 8 AM Pacific Time. Watch out for the email.
$149 $199
Access
If invited in the second round, you’ll gain access to the Masterclass at an exclusive price of $149, instead of the $199 applicable for third round.
This Masterclass isn’t open for direct enrolments at the moment. The only step you can take now, if you’re truly interested, is to answer questions at the end of this section and join our private waitlist. If selected, we’ll send you a signup invite via email.
The following terms govern your access to and use of this page and its related services. By engaging with this page, you agree to comply with these terms in their entirety.
TERMS FOR THE WAITLIST CAMPAIGN
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These Terms and Conditions ("Terms") govern participation in the waitlist campaign ("Campaign") for Lily Henry’s Masterclass: "Color Beyond Grading" ("Masterclass"), organized by Cinemagus’s Classroom Private Limited ("Cinemagus"), operating under the brand name "TAC" ("Organizer"). By registering for the waitlist, participants acknowledge that they have read, understood, and agreed to these Terms. Participants further agree to comply with all applicable laws and regulations.
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The Campaign is open to all individuals who provide valid and accurate personal information during registration. Employees, agents, or affiliates of the Organizer, as well as their immediate family members, are not eligible to participate. The Campaign grants waitlist participants the opportunity to be selected for exclusive early access to the Masterclass, which is scheduled for January 28, 2025, at 4 PM Eastern Time. Joining the waitlist does not guarantee selection or access to the Masterclass.
3. Selection and Notification
Participants selected for early access to the Masterclass will be notified via email on December 18, 2024, at 8 AM Pacific Time. The Organizer is not responsible for delays or non-receipt of notifications due to technical or personal issues. If a selected participant does not respond or complete the required steps within the specified timeline, their selection may be forfeited at the Organizer’s discretion.
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Participants selected in the second round will be offered access to the Masterclass at a discounted price of $149 USD(third round price: $199 USD). This discounted pricing is personal, non-transferable, and non-refundable, and is valid only for the first round of selected participants. Any subsequent pricing may vary. Waitlist spots, invitations, and associated discounts are strictly prohibited from being sold, exchanged, or transferred for cash or other benefits. Additionally, unauthorized sharing, reproduction, or distribution of the Masterclass content, materials, or recordings is strictly prohibited and may result in legal action.
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*Usage Intent
All images and supporting materials featured on this page are courtesy of their respective copyright holders and are used solely for educational purposes. All visuals from Furiosa: A Mad Max Saga are courtesy of Warner Bros. Pictures. These visuals serve to illustrate the career highlights of colorist Lily Henry and/or to demonstrate the techniques used in the film. All rights remain with their respective owners. For additional details regarding the purpose and scope of usage, please refer to our Usage Intent Document.
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